Busker Festivals

Beginning Busking

It takes a lot of practice in order to perform at Busking Festivals. During university, Chris Pilsworth, routinely went to Sparks street, in Ottawa, to perform, pass the hat and earn his tuition. During those four summers, Chris learned how to engage and audience, have them watch his show and also throw money into his hat. This education was invaluable to becoming a better performer.

Busking on Sparks.

An audience is built on the street. As no one is expecting a show, the performer needs to stop them quickly with amazing tricks and keep that interest until the end of the show, when the hat is passed.

Building a crowd at a Night Market.

Busking Festivals’ Headaches

Tricks that work well in a theatre don’t necessarily work outdoors. I quickly discovered that the wind, rain or intense sun could all have a negative impact on the tricks I could perform. Once I eliminated the ones that didn’t perform well, my show began to take shape.

Amazing Ottawa magician, Chris Pilsworth
This is what a jaw dropping looks like!

Busking Festivals

When I was older, I returned back to the street, in between regular shows to experiment on new material. It is a great laboratory for testing new entertainment ideas! After 5 years of busking on the street, my act was really tight and ready for Busking Festivals. These festivals are hybrid events as residents come to the festival knowing that they’ll see some great acts. It is somewhat easier to build the audience. As important as the tricks and illusions are, a personal interaction with the audience is equally important. At any time the members of the audience can walk away. If you are funny, engaging and exciting, the chances of them staying for the whole show increase dramatically. There is nothing more rewarding than knowing you built up a crowd of 300-400 strangers and created a magic moment in time.

Joining 4 Hula Hoops with Magic!

Joining People

One of my favourite parts of performing in busker festivals is to create an audience of strangers that is diverse in ethnicities and ages. Seeing them act and respond as one is truly magical. It is wonderful knowing that deep down, people are all pretty much the same; we love to have fun, play and be entertained, no matter the age. Magic has a way of relating to everyone and creating wonder that all can appreciate.

Chris amazes at a street festival in China

Festival Performer

3 Day Festival

As a festival performer, you need to be adaptable to all sorts of variables. This is what makes working at festivals so much fun. Last week I travelled 9 hours to Sault Ste. Marie, Ontario for their annual Rotaryfest. Starting on Thursday, I had three outdoor shows. Friday also had three shows and Saturday there were two. The weather for the entire durations was fantastic with no rain whatsoever. The final show on Saturday was very hot and the weather was warm too.

Rotaryfest, Sault Ste. Marie

Festival Performer Space

The festival that’s been running for many years now, have a great layout in the park by the river. For myself and the other three performers, a set of three bleachers provided a terrific spot for the audience to sit and be enthralled by the shows. We also had a private tent to store equipment and to change.

Great Setup for the shows!

Festival Performer

Festival shows are somewhat different from performing in a theatre. Even though the showtimes are posted, not everyone is there exactly on time. That dictates that the show has a softer beginning. I would engage and make jokes for the early attendees. Preshow music was also important to signify the show was about to begin. When enough people were seated, the show began.

Outdoor shows can be challenging if it is very hot, raining or too windy, not to mention having the sun in your eyes. There are also advantages! I love to do magic with water outdoors. There is no problem when the water spills on the ground. Another advantage is that there is no ceiling. That allows for objects to be tossed high into the air.

Other Festival Performers

I was really fortunate to work with three excellent festival performers from Montreal. Samuel, Marianne and Jess each have specialties in the circus arts. They juggled, blew incredible bubbles and also ate fire! We got along really well. That is so nice to be able to work with like-minded performers. I’m excited the next time we meet.

Four Amazing Performers

Time Off

In between shows, there was some time to explore. I visited the Algoma Art Gallery. They had a great exhibit of some of the Group of Seven artists and the paintings and studies of a northern mining town, Cobalt. It was a splendid diversion. I also have a friend in the Soo and we spent some good time together catching up. That was a really nice fringe benefit.

Beautiful Mural

Next

I loved working at the festival and I have a few more before the summer is over. Performing outdoors used to make me anxious because of all the uncontrollable variables. I’m more relaxed as a performer and relish all the possibilities that present themselves in serendipitous moments. I can’t wait until the next one.

China Tour – Part 3

Chris Pilsworth in Beijing

Another fringe benefit of going on my China tour, is the opportunity to sample some of the culture. In Shanghai, a group of magicians went to see an interactive play where we followed the actors through the different sets and scenes. It was an immersive experience and really impressive. It was like being in a movie.

China Tour, Next Stop – Changsha

Chris and Daly on the China Tour.
Two Amazing Magicians

The next stop after Shanghai on my China tour was Changsha. This is the home town of my good friend, Daly. Daly was the magician that organized the tour. We’ve been friends for 10 years and met at a magicians’ convention in New York. It is limited to 200 of the best magicians in the world. You can only attend if you are invited and sponsored by two magicians that have already attended.

After seeing me perform at that convention, Daly and I became friends. He is one of the top magicians in China and presents much of his magic on national TV specials, seen by millions of people.

In Changsha, I gave a lecture to the local magicians. I also had time to sample some cuisine from that region. It is know for its spicy food. I love trying new food and this time in China, I had some items that I’d never had before.

China Tour, Xiamen, The Garden City

Amazing promotion on Chris Pilsworth's China Tour.
Publicity on the China tour was Amazing.
Chris Pilsworth performs in Xiamen.
Every show in China had a group shot.

The next stop on the tour was Xiamen. It is in the south and known as the Garden City. They have a beautiful theatre there and the reception was warm and friendly by the local hosts. I was always impressed by the promotion that was created for the tour. In Xiamen, a large wall poster was fantastic and was the backdrop for all of the selfies that were taken after the show. I didn’t have any time to explore Xiamen as the following day I was up very early to catch a flight to Beijing.

Final Stop – Beijing

Beijing was the last city on the tour. It was also the longest day, as after I arrived at the airport, I was taken to the theatre to present my lecture, workshop and show. It was a long and full day. Even though I was concerned about being tired, the day went really well and the presentations were really well received.

Chris visits the Summer Palace in Beijing on his China Tour.
Just being a tourist while on tour.

The following day was my last in China. The hosts in Beijing took me for a tour of the Summer Palace. It was built by the Emperor for his mother and is remarkable. Our tour guide explained how and when it was built. It took over 13 years to complete as there is also a large man-made lake.

Good friends in Beijing
Chris Pilsworth in Beijing on his China Tour
My last day of the China tour was in Beijing.

Later in the day, I went with several local magicians to a pedestrian area of Beijing. I loved walking and absorbing the sites. I had a candy made for me in the shape of a rabbit. The method was like magic.

For dinner, we attended a dinner theatre with a multi-course meal. In between each meal, there was entertainment in the form of dancing, acting and martial arts. It was a phenomenal meal to conclude the tour. The last activity was to attend a magic bar. Max, the owner and fantastic magician treated us to some amazing magic and drinks. It was a long day, but an amazing way to conclude the tour. I’m back home, but looking forward to the next time I’m able to visit China.

China Tour – Part 2

After the performances in Guangzhou, I went to the next stop on my China tour, Hangzhou. The location for these performances was a small theatre owned by my friend, Simon. At that location, I presented 3 shows and 1 lecture.

And there’s the egg.

Lectures for Magic Clubs

A magic lecture on the China tour is usually 2 hours long. I presented tricks, ideas and theoies to magicians from that city. Afterwards, I sold my tricks and lecture notes. The notes I created had been translated into Mandarin by two translators, Peter and Chenny. They did an outstanding job of translating my notes. They also did all the graphic design and printing. The notes will be a wonderful reminder of the tour.

China Tour – Shanghai

The next city was Shanghai. I went there on a high-speed train. The train system in China is modern and efficient. The top speed of the train was 308 km/hr. It was an incredibly smooth ride. My translator set a water bottle upside down on the window sill and it didn’t mover or tip over for the entire journey of a couple of hours.

This water bottle didn’t budge.

Shanghai is the financial capital of China and from my hotel, I was very close to the financial district. As with all the cities I visited, the architecture of the skyscrapers was impressive. Some of the buildings are lit up at night time with integrated lighting on the exterior of the buildings.

Overcast day in Shanghai

Chris Pilsworth – Big Star!

The shows in Shanghai were in a magic theatre that was located in a shopping mall. In the atrium of the mall was a two story high LED sign. My photo was displayed there to promote the shows. I’ve never seen my image so big in lights! In China, I felt like a big star. I was also treated like a big star. After all of the shows, I would sign autographs and have my photo taken with new fans. It was exciting and humbling. I’m very grateful for the gifts that magic has given me and the tour certainly reminded me of the charmed life I’ve lived.

When you’re a star, you sign the autographs.

What Costumes To Wear?

When I started to perform magic for money, I knew that I’d need some costumes in order to justify my princely sum of $5.00. Now way back then, $5.00 was a lot. That would amount to more for a half hour of work than mowing two or three lawns for neighbours.

Costumes by Mom

My mom was pretty good at sewing and we went to a fabric store and bought some turquoise material and a shirt pattern. A week later, I was set. That shirt still hangs in my closet. Some things are hard to part with because of their sentimental value.

Wizard Costumes Aren’t Always a Good Thing

I remember at one outdoor corporate function, the theme was medieval. Through my agent, the company requested that I wear a merlin costume, while I interacted with small groups of adults. That was the last time I accepted a request like that. I was hot in the costume and it was difficult to access my regular pockets that were under the wizard robe.

Costume Colours

I’ve always loved colour and frequently I’d buy blazers that would pop on stage. In my hometown of Ottawa, they were difficult to find as it is a fairly conservative city with respect to men’s fashion. On a trip to Philadelphia, I came across a shop for men that catered to an Afro-American clientele. The suits they stocked were all these amazing colours. Behind the cash, were photos of acapella groups all decked out in suits purchased at the store. I bought a few suits there that I wore at colleges and university shows. They were amazing!

Custom-Made Costumes!

For my theatrical magic show, Disappearing Nightly, my pants were a 1940’s style. I’d bought an inexpensive pair at Le Chateau. That store was for young men and sold some great style clothing. I liked the design, but wanted pants that were a better quality. When I travelled to NYC, I went to the garment district and bought enough pin-stiped, British-made, suiting material. Back in Ottawa, my tailor crafted two pair of pants from that material, using the Le Chateau pants as a pattern. The tailor took a bit longer than anticipated, so he gave me a deal. The fabric cost more than the labour to make the pants.

The outfits I wear change over time. I’ll wear different costumes for children’s performances than I do for corporate functions. I love when I discover some new clothing that will work well for my shows. Costumes make me feel great when I’m performing and let the audience know that I respect their time, while they are watching my show. I look forward to new outfits that will pop up down the road!

What’s It like Performing a Show for an Audience?

The reactions a performer receives when they are performing a show, are what fuel the desire to keep performing. Knowing that you are the source of fun, amazement and laughter is intoxicating.

It takes time for every performer to get good enough that the reactions become consistently strong. Every performance is for a new group and experience leads to making good decisions during the show about how best to satisfy the audiences desire for a great time.

Before Performing a Show

Gaining as much knowledge about the audience beforehand is always step one to creating a superior show. Performing for 5 year-olds is very different from performing for seniors. Each group requires different engagement and energy. Knowing what to expect, helps to determine what magic the audience will enjoy the most. Adults like to have their minds blown with though provoking illusions. Kids like slap-stick humour.

During a Show

While the show is happening, my mind is split into watching the audience’s reactions, identifying potential distractions, looking for good volunteers, reacting to comments the audience makes, my script and the sleight-of-hand. There is a lot of processing power required to make it look easy. This only happens with plenty of practice and rehearsal and getting out there and performing. Malcom Gladwell suggested that in order to be good at anything, one needs to invest about 10,000 hours of practice. I agree because only then can many of the internal decisions happen like they are second nature.

The Results of Performing a Show

Performing a show that an audience will love even when the conditions aren’t ideal, is what great performers do. Someone with less experience will chock it up as a learning experience. When a show goes well, there is a mutual feeling that all the members of the audience bond and are reacting as one. When that happens, as it often does, the results are pure magic.

Anatomy of New Tricks

A subset of the magic community create and invent new tricks. When I began learning how to be a magician, the library was my primary source of knowledge. The books that I borrowed showed how to make simple tricks with supplies that could be found around the house. Many tricks in my first public shows were made at home.

New Tricks

My love of creating new ideas was born when I started, but has continued to this day. In order to create, I start with an idea about what I want the magic to look like for the audience. Then the process begins of trying to solve the problem without resorting to real magic. One technique I use to help overcome barriers, is to imagine that another magician has already come up with a solution. This allows me to think that a solution is possible. I also think that there is more than one solution to every problem.

I’ve probably created over one hundred magic tricks that range in size from smaller tricks that can be presented to one or two people, right up to large stage-size illusions that are meant to be viewed by thousands in a large theatre.

Ottawa Magician, Chris Pilsworth, has a cactus inside a balloon.
Hey, is that a cactus inside a balloon?

A Cactus Inside a Balloon?

The one trick that magicians always remember, is one where I magically put a cactus inside a balloon. The idea began when I saw a photo of the comedian, Steve Martin, holding a cactus in a flower pot in one hand and a balloon in the other. I thought, wouldn’t it be cool if I could put a cactus inside a balloon? I sketched the idea in my ideas book.

Inspiration for putting a cactus inside a balloon.
Steve Martin photo for Esquire magazine.
Chris Pilsworth's magic ideas binder
Here are the first notes and sketches for putting a cactus inside a balloon.

Persistence Pays Off with New Tricks

The idea laid dormant for a while, but then piece of the puzzle began to reveal themselves to me. After about a year the first version of the trick was ready. I debuted the trick at a magic competition in New York. When I finished the trick, I had to wait for the judges to decide. Finally, it was revealed that I’d won first prize in the stage category. That made all the creative effort even more worth while.

Constant Refinement

Since then, the trick has undergone some major revisions. Even though the trick was created about 30 years ago, I’m still finding little ways to make it even better.

Whenever you see a new trick presented in my show, you can be assured that it is merely the tip of the iceberg. Creating is both fun and frustrating, but seeing the results in the expressions of my audiences make the development time totally worth it!

Sharing Magic

Learning to be a magician can only happen when more experienced magicians share their tricks, wisdom and knowledge. When I started to learn how to be a magician, the library was a great place to discover magician’s secrets. I probably took out all the magic books in the library multiple times each. That helped me to absorb the tricks and tips that they were revealing to me. I’m so thankful that other magicians before me also found value in sharing magic.

Giving Back

After having been a full-time performer for most of my life, I’m sharing my magic creations with other magicians. My ideas are very well respected in the magic community and have enabled me to perform at magic conventions across Canada and the States.

Sharing Magic Lecture Tour

Currently, I’m getting ready to head back to China to present some shows and also give lectures and workshops to magicians in multiple cities throughout China. The tricks that I’ll be teaching have been refined over many years and are all in my working repertoire. Fairly soon, I’ll be sending the text of the instructions to my contact in China. He’ll have it translated into Mandarin.

Sharing Magic through Illustrations

The two illustrations above I created and are just a few of the many that help to explain the tricks I’ll be teaching. Each illustration starts with a photo and from there I create a line drawing by hand. There is an art to providing the correct amount of visual information in the illustrations. Like they say, a picture is worth a thousand words.

Win, Win

Sharing magic is great fun as it continues the tradition of passing along secrets from one generation to the next. One additional benefit of sharing magic is that I also learn new techniques and ideas from the magicians I meet globally.

Designing Magic

Designing magic and creating new mysteries is something I love to do! It is not always easy to come up with ideas about how to make the impossible possible. Sometimes I imagine that another magician has already come up with a solution. Then the question becomes, how would I do that trick?

Begin with a Strong Education in Design

After high school, I was accepted into Carleton University’s, School of Industrial Design, program. The year I entered, there were 300 applicants for only 30 positions. Every candidate had to go to an interview with one of the professors of the school and present a portfolio of art they had created. My portfolio consisted of art I’d made throughout high school and also some of the magic projects I’d created on my own. Industrial design is actually product design. The four year program taught me all the essentials for good design.

When I graduated, with distinction, I set out to perform magic full-time. The trick I create are possible as a result of a strong background in both magic and design. Other performers have also come to me to design ideas that they have, but are unable to fathom potential solutions.

Chris Pilsworth and his cactus inside a balloon!

This is one of my creations where I magically put a cactus inside a balloon. This trick has allowed me to headline at the Magic Castle in Hollywood, California. It also paved the way to consult on a 12 part TV series in China. While I was there, I conceptualized cutting-edge magic for the top Chinese magicians.

Chris’ story board
Set for the Amazing Magicians TV Series
This is the set for the Amazing Magicians TV series

Above is a sample of the story boards I illustrated for the show. The second photo is the stage for the show, which was custom built in a large sound stage. If you look very closely, you can see a couple of performers on the stage. The curved section in the middle of the second photo is where the celebrity judges were seated.

Designing Magic Never Ends

I always have new projects on the go. They feed my creativity and it is very satisfying designing magic and seeing an audience’s reaction! What a fun life.

World Travelling Magician

Being able to perform around the world is one of the benefits of being a world travelling magician. In a few months, I’ll be returning to China to perform some shows and present my magical creations to Chinese magicians at lectures in different cities throughout China.

World Travelling Magician gets his first Taste of China

Last time I was in China was 2017. I was hired for 6 months to create cutting-edge magic for Chinese magicians that were competing in a 12-part reality TV show. As one of 5 international consultants, I pitched ideas to be part of the show. It was an amazing experience!

The entire production team for the Amazing Magicians
World Travelling Magician, Chris Pilsworth and “The Amazing Magicians” Production Team

The photo above, shows most of the team that created the 12 part series, The Amazing Magicians! It was a very young and enthusiastic group, working together to produce a show unlike anything that had been done in the world. This photo was taken in the room the team would meet at the Jiangsu Broadcasting Corporation. Their tower is located in the beautiful city of Nanjing.

Magic Consultant

That world travelling magician, consulting job came about because I’d met China’s top magician at a magic convention a few years beforehand at a magic convention in New York. We became good friends, as he loved the type of magic that I created. Some of my inventions made their way into his repertoire.

My friend is organizing this new tour and I’m really looking forward to going back to China. I’ll have a bit of spare time to explore the cities and enjoy the cuisine that is so varied. I know it is going to be another incredible trip and that I’ll meet some new friends from half way around the world. Once I return home, I’ll be able to post some of the photos and memories of this next global adventure. Like I said, it is fantastic to be a world travelling magician!